- The article “A Question and Answer” was published in the Dhammananda Newsletter many years ago.
- “Neik Ban Zaw” is the pen name of my beloved spouse.


During the design phase, the product manager and the developers categorize the requirements as
During extensive testing and often much later, bugs (of varying severity) show up. Some subtle errors are dubbed “features”.
In group photos with Yours Truly, Facebook would tag me as my brother. The error might be due to the
I would often get friend requests from questionable Facebook users.
The “View As” feature contributed to an opportunity for data miners, hackers and crackers.
With Sayagyi Dr. Aung Gyi and Ko Ivan Lee in East Coast of USA

With Sayagyi U Aung Khin, Ivan and Fred in Windsor, Canada

Author : NARADA MAHA THERA
VAIJIRARAMA, COLOMBO
First Edition : 1964
4th Enlarged Edition : 1980
Introduction
Part I : THE BUDDHA
1. The Buddha — From Birth to Reunciation
2. His Struggle for Enlightenment
3. The Buddhahood
4. After the Enlightenment
5. The Invitation to Expound the Dhamma
…
12. The Buddha’s Ministry
13. The Buddha’s Daily Routine
14. The Buddha’s Parinibbana (Death)
Part II : THE DHAMMA
THE TEACHINGS OF THE DHAMMA
15. What is Buddhism?
16. Some Salient Characteristics of Buddhism
17. The Four Noble Truths
18. Kamma
…
35. The Way to Nibbana (I) — Morality
36. The Way to Nibbana (II) — Concentration
37. Nivarana or Hindrances
38. The Way to Nibbana (III) — Insight
39. The State of an Arahant
40. The Boddhistta Ideal
41. Parami — Perfections
42. Brahmavihara — The Sublime States
43. The Eight Worldly Conditions (Atthalokadhamma)
44. The Problems of Life
The English section of BBS (Burma Broadcasting Service) had a program for Local Talents.
Some people (e.g. Thein Tan, Reggie Ba Oo) played on more than one group.
A few own a set of Guitars (Lead, Rhythm, Bass, Steel, Hawaiian, 12 String, …), Percussion, Keyboard.
Several later turned professional.
Most were my classmates at SPHS. Hope they are alive and well.
This post covers basics of Burmese typing, spelling, and word processing.
Remington produced typewriters for English.
Olympia was commissioned to produce typewriters for Burmese. The “red” keys were used to type vowels; the carriage did not go forward. The “black’ keys were used to type consonants. Back-spacing for half a step was necessary on the “standard” edition to type “tha gyee”. Manual dexterity was needed to type some “pa sint” characters. the “office’”edition had extra keys.
IBM produced Selectric typewriters. “Golf” ball-like character sets had to be installed/replaced.
Wang Computers provided word processors for various languages. Ko Htay Aung worked at Wang for a while on the “Burmese” language project.
Burma Research So
ciety (BRS) used transliteration for its publications. For example, “k-o-l” combination represents “ko”. The scheme was used on Macintosh.
UCC had projects to do Burmese word processing. Saya Myo supervised a project for Ma San Yu Hlaing for “collation” (needed for sorting). Saya TAG and his team (Ko Htay Aung, Ko Soe Myint, …) worked on Cromenco System Three for printing and processing. U Soe Win and team worked on Calcomp graph plotter.
Chinese characters were input on the early systems using (1) large tablets (2) three corner method (3) Romaji, …
The evolution has seen various type face/font families, keyboard layouts, Unicode support, …
We miss the days when we had type perfectly or reasonably well on typewriters using messy carbons.
Also, planning to cyclostyle double-si
ded printing (odd numbered pages first, then repeat with even-numbered pages).
Burmese Language Commission bowed to higher authorities to revise the spelling at least two times.
Fines were imposed on authors and publishers spelling the established way. (e.g. “ta”) instead of the preferred way (e.g. “tit”) despite the scholars pointing out the old inscriptions at “Bo ta htaung” (not “Bo tit htaung”) pagoda.
CTK (Children’s Treasury of Knowledge) project was delayed to correct the spellings.
It was not easy to write in those days without facing censorship. It was taboo to quote “Dhammata” poem (by Ananda Thuriya). It was a crime to write about the “setting sun”.